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Moreover, it is hard to see how the studio can elevate the new, Portman-portrayed god of thunder without denigrating the original. The problem for Waititi and the Marvel team is that there are only so many times Thor can hit rock bottom before even this bounteous plot device becomes boring. Back then it was arrogance that caused Thor to be punished – could it be that indolence is the cause this time around? The one-time heir to Asgard even says in the trailer that he no longer wishes to be a superhero.Ĭan he find a path back? … Chris Hemsworth in Thor: The Dark World Photograph: Jay Maidment/Marvel Studios\walt Disney/Allstar
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Branagh’s version learned early on that his powers and position come at a price: fall short, and they are ripped from him by Odin, who in the 2011 movie banishes him to Earth without his superpowers or ability to wield Mjolnir. Ultimately, though, this is not really who Thor is supposed to be. The off the grid version of Thor has also been hugely more entertaining for audiences than the slightly po-faced iteration introduced by Kenneth Branagh in 2011, whether it be teaming up with the Hulk to defeat Cate Blanchett’s Hela in Ragnarok, or growing a splendid beer belly in Endgame.
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Let us not forget that Thor has lost his parents and his brother Loki, plus at one point felt himself responsible for the deaths of half the population of the galaxy after he failed to take his chance to tonk Thanos during the events of Avengers: Infinity War. You might think the idea of the superhero gadding about the universe on a journey of self-discovery perfectly reasonable after the horrors he has faced over the past few movies.
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No longer king of Asgard, a title he relinquished to Tessa Thompson’s Valkyrie at the end of Avengers: Endgame, Hemsworth’s Thor is theoretically free to hop through space in the company of the Guardians of the Galaxy for as long as it takes him to find his place in the cosmos.Īll of this makes a certain sense, if you think about Thor’s past adventures and where he’s ended up. That journey is a big reason why the forthcoming Thor: Love and Thunder (also directed by Waititi) is such a tantalising prospect: we just don’t know where the film-maker is going to take the superhero next. It has certainly given Chris Hemsworth a gargantuan sandpit to play in, especially since director Taika Waititi spotted the obvious comic potential and began to play up his lovable buffoon persona in 2017’s brilliant Thor: Ragnarok. It’s also the ultimate rebuff to the naysayers who declare that superhero movies are lazy money-making vehicles that simply repeat the same storylines over and over again. T hor’s journey from sullen princeling to selfless hero and down to beer-swilling layabout (then once again to hero) has perhaps been the most radical of any main player in the Marvel Cinematic Universe.